SUIP!

My apologies to Mark and Martin from Keg King for how criminally late this post is. Thanks for putting up with me.

A little over six weeks ago, at Cape Town’s German Club, a little bit of pandemonium broke loose. Ten breweries, some small, some large, some teetering on the verge of collapse, pledged over 40 kegs of beer to everyone’s favourite portable party merchants, Keg King. Two hundred people booked off their Saturday nights and bought tickets to an all-you-can-drink pour-gåsbord: Keg King’s first ever Open Tap night.

The way it works is simple: pay R200 for a ticket, of which there are only 200, receive a branded beer mug on the night, and drink to your heart, your brain and your liver’s desire. Some acquaintances of mine fretted at the price when I asked them to come along with me, but, realistically, you’d spend about R200 on a bender at any craft-serving pub or dive in the Cape. This is just streamlining the process, creating a slick, safe occasion for beer indulgence with no queues, no fuss; just a lot of beer and a lot of happy faces.

The beer came from a variegated assembly of Southern African breweries; Darling, Jack Black, the then-recently-closed Paulaner, Mitchell’s and Camelthorn to name a few. Castle Milk Stout and cider were also provided by SAB and Eversons.

Surely the evening’s highlight, however, was the offering from Devil’s Peak. King’s Blockhouse IPA is definitely a frontrunner of the latest batch of Cape IPAs: like its new labeling, it’s equal parts regal and understated, but certainly lets loose with a well-rounded hops rush. It was a knockout in more ways than one: my only remaining memory after four pints of the stuff was a conversation in slurred French with the Congolese taxi driver on the way home.

As for the atmosphere, it was certainly more genial and lighthearted than my own, already rather high expectations. Potential disaster was avoided with a Stormers victory in the big-screen Super 15 clash against the jacaranda-hued Bulls.

And with that, the party really begun.

In the end, Keg King’s first Open Tap was well organised, well patronised and, happily, very well stocked. It was a night for two purposes, really: the first, an opportunity for the party-seeking public to become acquainted with some new beers and, secondly, getting hammered on them all. Even with the amount of people drinking such a remarkable amount of beer, nothing turned sour. On a backdrop of Bundesliga and wood panelling, new friends were made and instantly forgotten, and a new kind of party took shape.

And I thought it was smashing. Have another one soon, alright?

This past Saturday, Banana Jam Cafe was host to the first iteration of the Craft Beer Project, a new alliance between brewers and beer lovers poised to fill the hole that We Love Real Beer left with its seeming dissolution half a year ago.

Unlike We Love Real Beer’s gatherings, the Craft Beer Project has begun somewhat smaller; trading graphic design and branded glass bombast for something a bit simpler, a bit less crowded and, as a result, a touch more friendly. The idea, put most simply, is to have smaller, more regular mini-festivals (in contrast to WLRB’s bi-annual Biscuit Mill explosions) that are more approachable and more conducive to easy gathering, and letting craft beer become a more regular part of Cape fabric.

Of course, WLRB festivals were always about that too, but the atmosphere at Banana Jam was more genial: spacious, easy-going and accessible. With an excellent selection of beers on tap and in bottle from Darling, Boston, Triggerfish, Devil’s Peak, Porcupine Quill (Botha’s Hill, KZN), Three Skulls Brew Works (JHB), Anvil Ale House (Dullstroom, MP) De Garve Brewery (Vanderbijlpark) and others - combined with a special menu of beer-infused bistro dishes - it was a delicious snapshot of the undercurrents running beneath different sections of SA craft, without the hype and noise.

The highlights of the day for me were new brews from the BruHouse - Maui Point, a mellow but complex IPA brewed with Riwaka hops from New Zealand, was especially fulfilling - and Paulaner’s swansong Salvatore, a refined doppelbock with a sweet, caramelly roast and finish laden with plum; a bittersweet send-off from the Cape Town Brauhaus.

As the day wore on and the crowd at Banana Jam remained healthy and quietly thronging, it became clear that the Craft Beer Project is trying to show that beer celebrations need not be all-encompassing or stupendously large orgiastic days out. The crowd happily buzzing, the beer quickly flowing. No angst and no show - the beer very capably spoke for itself.

But that’s enough of my observations and probably incorrect postulations. I hope you enjoy these few photos of an essentially simple, happy afternoon in Banana Jam’s sun and reggae-laced courtyard.

Starting tonight I will be starting guest appearances on Gary Cool’s Rock Dimension on 2OceansVibe Radio, to talk about beer and ramble on about all things Cape beer-related. I’ll be on from 21h30 or so to stutter uncontrollably and attempt to relay some semblance of news about this weekend’s local beer festivals and some other beer stuff. The rationale behind this is that “rock and beer go well together, so eh, may as well.”

I used to be on radio a long time ago (read: two years ago) as a presenter on Rhodes Music Radio in Grahamstown, where I used to host a specialist indie rock show on Thursday nights. It was generally well-received and popular on a station whose forté was house and Top 40 (and broken in-studio headphone sets.) I generally had a good time there, although after one particularly tough day in studio I went to the Rat and Parrot, drank far too much, then went back into the studio where I promptly fell asleep live on-air. 

The consummate professional, I know; but with all that said, it’ll be good to be back on-air.

2OceansVibe is South Africa’s (and possibly Africa’s, but I wouldn’t want to be too presumptuous) largest digital radio station, using the freedom that online radio provides to create a station that allows its presenters the freedom to fully express their aural ambitions (and allows them to drink beer in-studio, a freedom Gary and I are looking to put to good use in weeks to come.)

So, in short: tune in on Thursday nights at 20h00 on 2OceansVibe Radio, and discover that I have an American accent, despite not being an American. Quelle surprise!

You can listen on live streaming here. Make sure you get the low-down on what and where to drink good beer this weekend.

After a much-needed break (that admittedly went on much longer than expected), regular updates on Suip! will return next week.

May’s turning out to be a very exciting month, starting out with a mini beer festival at Banana Jam Cafe on Saturday the 5th of May. The Craft Beer Project will feature 25 beers on tap from 10 breweries from around South Africa - and it’s likely to get messy, with food pairings and irie times on offer.

May’s issue of Getaway is also looking pretty promising, not least because it features my story. “A Little Renaissance on Wharf Street” is about the Port Alfred brewpub-microbrewery combo currently bringing a neglected part of the old frontier port back to life (with fantastic beer brewed by a cigar-smoking septuagenarian, to boot.) You can also find Lucy Corne’s guide on five of the most scenic brewpubs in the country inside, so get your hands on it when it hits shelves next week.

Also starting in May, I will be appearing on Gary Cool’s Rock Dimension on 2OceansVibe Radio, South Africa’s largest digital radio station, every Thursday evening to talk about the latest happenings in Western Cape and South African beer. Expect stuttering, ill-gotten insight and unfounded opinions - but more about that next week.

Until then, check out Homebru.net’s update on the exciting new developments happening at the long-awaited Woodstock Brewery as well as the fate of Paulaner’s equipment. It seems that, from the sad end of one brewing dynasty, another might rise.

Have a great week.

- N

Above three images from Porcupine Quill website

Porcupine Quill Brewery in Botha’s Hill, KwaZulu-Natal is one of South African craft beer’s hidden players. Tucked away in a sleepy corner of the Valley of 1000 Hills, Quill’s is an artisan’s paradise, comprising a deli, bakery and brewery, all fastidiously local-minded.

Quill’s range of eleven beers, under three different labels, aren’t very widely known or widely available. Although I had tried and reviewed one of their beers before (link), the full spectrum of their liquid exploits had eluded me for some time. So, when the opportunity arose to try out ten of their eleven beers at Banana Jam Café not too long ago, I took to it with enthusiasm.

Since there are a lot of beers, I’m not going to try review them all; rather, I’ll provide some rough tasting notes for each beer under each Quill’s brand, as well as notes of approval or disapproval.

Some preliminary notes, however: even though Porcupine Quill attempts to brew a large range of beer types, they are mostly brewed using flower hops, giving many of their beers a samey bitterness profile; floral and prickly acidic. It works well with some styles that they brew, and not so much with others. Attempts to taste the whole range like I did tend to descend into a pit of undistinguishable and strange bitterness; not bad, but it makes it tough to discern different flavour profiles between each beer towards the tail end. (The alcohol content is potent too, so watch out if you’re trying to session!)

But anyway (ratings out of 5 stars):

Quill’s, the flagship range of 5 beers. Most variety of styles and quality.

Karoo Red (5.5% a.b.v.): A light body of sour fruit overrided by sharp, almost prickly hoppiness. Finishes clean and tart. **1/2

Namaqua Blonde (4.5% a.b.v.): Light citrusy body with hints of mango and melon, follows through sharp with citrus zest; ends with slight burnt roast. Different, but entirely pleasant. ***

Blackdog Bitter (6% a.b.v.): Lacy. Molasses on the nose with some milk chocolate and burnt coffee; follows with sharp sweetness and burnt coffee on palate. Light-medium body. Best of the range. ***1/2

Flat Tail Ale (8% a.b.v.): Vanilla on nose; follows through with overbearing, thistle-prickly hops. Light body, light palate; packed with alcohol. **

Didn’t taste because of unavailability: Kalahari Gold (4.5% a.b.v.).

Dam Wolf, an “extreme beer” range of three beers. High alcohol content links all three.

Yellow Eyes (8% a.b.v.): Cloudy yellow-orange with minimal white head. Rose and indistinguishably acids on nose; follows very acidic (whole flower Challenger hops) with little mouthfeel on palate. Lemon zest and acid at the back of the throat. Finishes quite cleanly at first, then big kick of alcohol – almost unpleasant. A lot of bite, not much flavour; a shame, because I’ve had this before and it was much better. **

Howl & Cry (9% a.b.v.): Strong ale that pours ruby-orange. Hops on nose; hops on palate with touches of sour plum and tart fig. Very alcoholic, but has flavour to back it up. ***

Wolf in Sheep’s Clothing (9% a.b.v.): Light hoppy nose; alcohol and flower hops (again) on palate, rounded off by sour berries. Finishes with light, but very complex burnt roast. Lots of different kinds of malt here. An interesting one. ***

African Moon

Impala Light (5% a.b.v.): Light in every way, except for its alcohol content: light hops, light roast, light malt; too few nuances with too much alcohol, verging on insipid. *1/2

Amber Ale (6% a.b.v.): Pours coppery. Caramel on nose; sharp, clean hops rounded off with light toffee and extremely slight smokiness on palate. Unexpectedly rich, but finishes clean. Although I didn’t enjoy it when I last had it, this time it was lovely. ***1/2

Blackbuck Bitter (7.5% a.b.v.): Red berries and light roast on nose; sweet and lightly roasty on palate; finishes clean and sour. One of the few PC beers to manage the prickliness of the hops well. ***

Recommendations of the lot: Quill’s Blackdog Bitter, African Moon Amber Ale and Dam Wolf Wolf in Sheep’s Clothing. A good beer out of each range; a nice symmetry there.

The final word on Porcupine Quill, then? For better or worse, a range of beers unlike anywhere else in South Africa. Definitely search them out if you’re in the area of Botha’s Hill, especially you’re a hop head.

—

Porcupine Quill’s beers are available from their premises on Old Main Road, Botha’s Hill, KZN. Limited stock still available at BJC, Kenilworth, Cape Town.

Metalworker Glenn Adams leads a double life. Round the front of his factory in a patched-up Kommetjie industrial park, he operates an expertly-built microbrewery. An elegant setup of stainless steel, his preferred metallic medium, Valley Brewery is one in a series of new Western Cape microbreweries popping up in the nooks of South Africa’s most craft-crazy province.

While his London Ale exudes passable breadiness and admittedly not a whole lot of nuance, the Valley Weiss is sunshine: opaque, light and refreshing. Perhaps it’s not the beers, undeniably decent as they are, that are the standouts right now at Valley, but rather the uncluttered and well thought-out floorspace. From the ingenious keg washer to the most beautiful mash tun I’ve ever seen, Valley is any hobby brewer’s dream playroom.

Adams is serious about his work, however. While he begins to experiment and test the capabilities of his 300 litre system, he can rest assured he has solid foundations.

Valley Brewery London Ale is currently on rotation at Banana Jam Café, and is also available straight from the brewery in Fish Eagle Park itself. But until you get there, enjoy these photographs of an impressive-looking start-up.